Comics Chronicles est un chouette blog français sur les comics qui m'a proposé de décrire ma manière de travailler sur une page. J'ai donc choisi une page de Vic Boone, et vous pouvez lire le tout ici.
Et vous trouverez d'autres FOCUS ici, avec notamment du Paul Renaud.
Comics Chronicles is a french nice blog about comics which offered me to describe my way of working on a page.
So I picked a Vic Boone page, and you can see the french version here.
Here is an english translation, without the nice interface:
>FOCUS #5: VIC BOONE #01 (PAGE 09) by GEOFFO
BIOGRAPHY
Comic book, Illustration or animation, Geoffo is a multi talented artist
with an innovative style based on differents cultures.
Visionary according to some, Geoffo makes the difference with his
original and multifaced graphism.
In parallel to his animation school where he did Black Sun, Geoffo was
published in the Vic Boone graphic novel in the United States. He also worked
on the next Scarce cover, a french comic book magazine considered to be a
reference in the world comic book field.
Geoffo is currently working on a revolutionary project for smartphone,
Iphone Ipad and digital tablet that will be available in Autumn 2012
SYNOPSIS
Former daredevil Vic
Boone is a private investigator in a world etched by the science fiction of
drive-in movies and early Hollywood. It’s a landscape of robots, ray guns, and
regular Joes. But whether his client is a beautiful socialite or a brain that wouldn’t
die, Boone is out to get the job done no matter how bizarre.
COMMENT ON THE PAGE
This is the page 09
from Vic Boone # 01. The first 3 sequences introduced the character as a
private investigator, the sci-fi universe and its unhabitants (bad guys, fly
man, robots and so on), while this new sequence brings the reader to the past
and a more tormented aspect of Vic.
Shawn's scripts are
clear enough to give a straight direction and yet they allow the artist to put
his touch, or even add some panels (like I did with the first 3).
This page contrasted
with the colored and rich aspect of the universe, and that's why I specifically
push further the graphic contrast between black and white.
SHAWN SCRIPT: PAGE 08 ( 4 PANELS)
Panel 1: Boone sits on his bed,
smokes a cigarette (hangs from his mouth). Nightstand next to it has a small
glass of whiskey, bottle of pills, alarm clock, ashtray. The bedroom is
moderately furnished. Not messy, but not overly clean. Bachelor pad. On the
walls and dresser are a few pictures from Boone’s dardevil days.
Caption:
SO FAR, NOTHING IS GOING AS PLANNED. ANDRE HAD LESS INFO THAN I HAD HOPED, AND A GOOD NIGHT’S REST WAS DELAYED BY THOSE RAYGUN DUMB%$*#.
SO FAR, NOTHING IS GOING AS PLANNED. ANDRE HAD LESS INFO THAN I HAD HOPED, AND A GOOD NIGHT’S REST WAS DELAYED BY THOSE RAYGUN DUMB%$*#.
Panel 2: Boone opening bottle of
pills.
Caption:
IF ANDRE IS RIGHT ABOUT HUNT AND FUTRATECH--I HAVE A FEELIN’ TOMORROW ISN’T GOING TO GO ANY SMOOTHER.
Caption:
IF ANDRE IS RIGHT ABOUT HUNT AND FUTRATECH--I HAVE A FEELIN’ TOMORROW ISN’T GOING TO GO ANY SMOOTHER.
Panel 3: Boone throwing pills into
mouth.
Caption:
FUNNY THING ABOUT ANDRE--
Caption:
--HE’S SELDOM WRONG.
Caption:
FUNNY THING ABOUT ANDRE--
Caption:
--HE’S SELDOM WRONG.
Panel 4: Boone taking drink of
whiskey.
Caption:
ABOUT ANYTHING.
Caption:
ABOUT ANYTHING.
PANEL BY PANEL
PANEL 01 TO 03
The first 3 panels I added gives a solid past to Vic.
The first 3 panels I added gives a solid past to Vic.
First and second
panels are the symbol of a golden age, while the third one shows a past love.
In other words, theses
differents elements are linked to a happy period of his life that he doesn't
have any more.
Panel 01:
"official" picture, showing both his costume and his motorcycle, so I
used a knee shot
Panel 02: newspaper
article, giving him a "legitimate" aspect, thus the importance of
showing the title and some paragraphs.
Panel 03: close-up on
a more intimate picture, far from the limelight. It also shows that he didn't
always have his white streak. Family or past love, her simple presence on the
picture emphasizes that the was important to Vic at some point.
A long shot panel which
highlights the poor environment of the character, and thus his loneliness.
Cigarette and alcohol contributes to this depressing atmosphere.
This is the only panel
with background of the scene.
We focus on the
bottle of pills melted with alcohol. The absence of background, the strong
graphic constrast and the close up deepen the darkness of the scene.
To my mind, this page
is my favourite (along with the 04 which shows the city), because from a
graphic and narrative point of view I could stylised much more to create a
strong atmosphere.
To conclude, this graphic "freedom"
that Shawn and 215Ink allowed me to have during the whole mini serie helped me
to bring a strong touch to this sci-fi universe, but also to slightly redesign
the Vic Boone character, to give him more visual impact.
Indeed, I'm really
glad to see the white streak that I designed gave birth to an
"origin" short story about it (which is in the graphic novel) and his
now definitively linked to the character design.
You can check more FOCUS on Comics Chronicles (notably one by Paul Renaud) here (french only).
Aucun commentaire:
Enregistrer un commentaire